(OP)POSITIONEN ZU O.S. BEI TANZLOKAL / WKV Stuttgart, EIN TANZFONDS ERBE PROJEKT

Die beiden installativen Choreographien DER BAU und FORM UND MASSE setzen sich mit dem Um-Raum des Körpers auseinander. Dabei werden Themen Oskar Schlemmers um das Verhältnis zwischen Körper, Kostüm/Objekt und Raum aus einer ganz anderen Perspektive betrachtet.
Schlemmer läßt im Stile Bauhaus’ stringent Geometrien, Volumen, Formen und ‘Objekt-Körper’ zutage treten. In der Gegenüberstellung dazu, betrachten die beiden Arbeiten DER BAU und FORM UND MASSE den Raum um den Körper herum als ein (zusätzliches) Organ.

1. DER BAU – Installative Version
Konzept: Isabelle Schad & Laurent Goldring
Performance: Isabelle Schad
Die installative Version zum Stück ’Der Bau’ wird in Stuttgart zum ersten Mal zu sehen sein.
2. FORM UND MASSE
Konzept und Choreographie: Isabelle Schad
Co-Choreographie und Performance: Sonja Pregrad


Form und Masse untersucht das Verhältnis zwischen Energie und Materie, zwischen Material, Bewegung und daraus entstehender Form. Mit Styroporkügelchen gefüllte Sitzsäcke dienen uns als Verstärker des Sichtbaren: Sie kreieren einen Raum um den Körper herum, der als vom Körper selbst generiert angesehen werden kann. Die Masse der Styroporkügelchen korrespondiert mit der zellulären Masse des Körpers, den Trillionen an Zellen, aus denen wir bestehen. Es ist erneut dieses Übergangsobjekt, das als letzte innere Schicht und als erste Schicht – als Bindeglied – zur äußeren Welt angesehen werden kann – ähnlich des Spielzeugs eines Kindes. Es macht existierende Bewegungsmuster, welche auf energetischen Grundprinzipien basieren, wie ein Verstärker sichtbar und zugleich zum Objekt, das betrachtet wird, währenddessen die bewegungsgenerierende Person Subjekt des Geschehens bleibt. Der Raum um den Körper herum kann auch hier als ein Organ betrachtet werden; eine neue Sichtweise, Raum bzw. Innen-/ Außenraum des Körpers zu choreographieren.
Termine:
Freitag, 6. September, 17:30 Uhr, Württembergischer Kunstverein
Samstag, 7. September, 17:00 Uhr, Württembergischer Kunstverein
Sonntag, 8. September, 13:30 Uhr, Württembergischer Kunstverein
(DER BAU und FORM UND MASSE werden abwechselnd in jeweils ca. 15-minütigen Zeitfenstern gezeigt)

See online : TANZLOKAL 2013 - EIN TANZFONDS ERBE PROJEKT

Published 1 September 2013

SODA Intensive @ HZT Berlin

Between 25 and 29th of January 2021, I have had the pleasure to teach at SODA, HZT in Berlin Uferstudios. It has been an intense, rich and wonderful experience...

What is universal in as much as movement, self awareness, togetherness, empathy, community are concerned? What links us beyond background, culture, nationality, gender, aesthetics ?
Understanding your own compositional strategies for making work can be seen as a way to formalise / analyse your choreographic practices. In this context I would like to share my own personal approach to body work, choreographic practices and how they relate to warm-ups, to material that is lived, formed and organised for and within you / others. My practices will then mingle, intervene with those coming from you and your own experiences.
We will do warm-ups / trainings together, which will introduce into different types of movement techniques around the energetic body, using principles deriving from Aikido, acupressure (Zen-Shiatsu), breathing techniques (Qi-gong and its relating theories); as well as other somatic practices such as Body-Mind Centering. The questions at stake are concerned with the notion of form and being. And what ‘in-forms’ a form - and the self: We are dealing with inner-outer relationships, the relation to oneself, and - as we are taking the opportunity to train in a group - also the relation of oneself to one another.

pic:I.Schad. all rights reserved.

Published 1 February

Harvest - research at Wiesenburg


This January 2021, we have started the research around the new work for kids from 3 years on: Harvest - at Wiesenburg.
Together with Jan Loris, Aya Toraiwa, Manuel Lindner and Emma Juliard, I have spent 3 intense weeks of working with the branches from our own harvest at Wiesenburg.

pic: I.Schad. all rights reserved.

Published 31 January

Embryology as Choreography

I have just been asked to write an essay about my artistic practices for the Magazine of the Muzeum Susch, which will be published soon, when I have taken the opportunity to revisit an older text of mine from 2013 entitled ’Embryology as Choreography’.
It has been a good moment for me to realise, which aspects are still present in my today’s approach, and at which point they have changed.
You will notice once the new essay will be published and I will be happy to share it with you.
But here comes the one from 2013.

PDF - 114.4 kb

The text ‘Embryology as Choreography’ first appeared in: Brandstetter, Gabriele; Klein, Gabriele; Foster, Susan Leigh; Haller, Melanie; and Luken, Heike (ed), Dance [And] Theory (2013)

Published 23 January

Turning Solo @ Humboldthain

On 28th and 29th November 2020, together with Jasmin İhraç, we have experimented with an Open Air Version of the Turning Solo in public space. We have installed the work as an ongoing meditation practice allowing for witnessing Jasmin spinning when passing by. Everyone who has been enjoying the Humboldthain at this day and at this time of the day could discover a personal practice of spinning and sculpting time....
It has been an enriching experience for all of us.

pic: I.Schad. all rights reserved.

Published 23 January

I give you violence, sensuality and care

A text written on the occasion of our guest performances in Zagreb in 2017, first published on this website got finally translated into English. We are happy to use the opportunity and share this text with you!!!

PDF - 89.4 kb

translation by Mirna Herman Baletić

See online : Express

Published 22 January

OPS @ Humboldthain

OPS has started to adapt to the current circumstances of the Pandemie:
Practice outside at Humboldthain:
This is a short message, letting you know that I ll do some movement practice, Qi Gong and training with the Jo (wooden Stick, coming from the Aikido practice) almost every day 10-11:30 from now on. If you are interested in joining, please send me a message before and we can check the details then. Isabelle

Published 3 January