@ Monoplay in Zadar


The performer’s body as an organ, perceived as a space, is a continuous subject in the work of Isabelle Schad. This time the performer’s body appears as a stage : but for whose theatre ? Which drama ? One may say that drama occurs between the spectator and soloist, in the space where subjectivity appears as imaginary, ever-changing construct of what has been seen and what has been imagined. Taken from the aesthetical point Solo for Lea can be compared to some aspects of Picasso’s portraiture work, who wanted to question the ocular monism of perspective painting.
Sasa Bozic

See online : Monoplay

Published 28 August 2017