Workshop @ Akademie der Kulturellen Bildung Remscheid

vom 08.02. bis 10.02.2019 : Von der Körperarbeit zur Choreographie


Wie können Körperarbeit und somatische Praxis in die choreografische Arbeit einfließen? Wie lässt sich die Prozesshaftigkeit des Körpers in eine klare Formensprache fassen?
Angelehnt an ihre Produktion „Pieces and Elements“ (2016) stellt die Berliner Choreografin, Isabelle Schad, ihre innovative Arbeitsweise vor. Ausgehend von Bewegungsprinzipien, die sich von asiatischen Techniken wie Aikido, Shiatsu, Dehnungs- und Atemtechniken ableiten, entwickelt sich die choreografische Praxis.
Zentrale Frage hierbei ist die Deutung des Begriffs der Subjektivität innerhalb eines kollektiv bewegten Körpers, der nur als ein gesamter funktionieren kann. Innerhalb der Fortbildung erarbeiten Sie Skizzen und Elemente, die Teil der Recherche zu „Pieces and Elements“ sind oder ganz einfach für sich selbst stehen.

See online : Akademie der Kulturellen Bildung

Published 11 February 2019

Harvest - research at Wiesenburg


This January 2021, we have started the research around the new work for kids from 3 years on: Harvest - at Wiesenburg.
Together with Jan Loris, Aya Toraiwa, Manuel Lindner and Emma Juliard, I have spent 3 intense weeks of working with the branches from our own harvest at Wiesenburg.

pic: I.Schad. all rights reserved.

Published 31 January

Embryology as Choreography

I have just been asked to write an essay about my artistic practices for the Magazine of the Muzeum Susch, which will be published soon, when I have taken the opportunity to revisit an older text of mine from 2013 entitled ’Embryology as Choreography’.
It has been a good moment for me to realise, which aspects are still present in my today’s approach, and at which point they have changed.
You will notice once the new essay will be published and I will be happy to share it with you.
But here comes the one from 2013.

PDF - 114.4 kb

The text ‘Embryology as Choreography’ first appeared in: Brandstetter, Gabriele; Klein, Gabriele; Foster, Susan Leigh; Haller, Melanie; and Luken, Heike (ed), Dance [And] Theory (2013)

Published 23 January

Turning Solo @ Humboldthain

On 28th and 29th November 2020, together with Jasmin İhraç, we have experimented with an Open Air Version of the Turning Solo in public space. We have installed the work as an ongoing meditation practice allowing for witnessing Jasmin spinning when passing by. Everyone who has been enjoying the Humboldthain at this day and at this time of the day could discover a personal practice of spinning and sculpting time....
It has been an enriching experience for all of us.

pic: I.Schad. all rights reserved.

Published 23 January

I give you violence, sensuality and care

A text written on the occasion of our guest performances in Zagreb in 2017, first published on this website got finally translated into English. We are happy to use the opportunity and share this text with you!!!

PDF - 89.4 kb

translation by Mirna Herman Baletić

See online : Express

Published 22 January

OPS @ Humboldthain

OPS has started to adapt to the current circumstances of the Pandemie:
Practice outside at Humboldthain:
This is a short message, letting you know that I ll do some movement practice, Qi Gong and training with the Jo (wooden Stick, coming from the Aikido practice) almost every day 10-11:30 from now on. If you are interested in joining, please send me a message before and we can check the details then. Isabelle

Published 3 January

Reflection / Zoom sharing @ Hong Kong Academy for Performing Arts

I have had the pleasure to share this work with students and audiences connected to the Hong Kong Academy for Performing Arts. In collaboration with Goethe Institute Hongkong.

After sharing 30min excerpt from the piece on video, we have started a conversation around the topics, practices and concerns touching this work and my practices in general. I have been impressed by the questions coming from the students during this Zoom Meeting, thank you so much.
18. November 2020, 11 - 13h German Time.

pic: D. Hartwig, all rights reserved.

Published 18 November 2020