Experience #0.3 explores the form of becoming from the perspective of our embryological development and the writing of dance as a consequence of movement, that we (all) have been passing through during that time of becoming.
From the time-spatial cellular relationships that keep evolving and that are in constant transformation derives a choreography that unfolds gradually to the sounds of natural and technical rhythms, till we venture to bring it into a compositional space of tension with Beethoven’s Großer Fuge…
A research around embryological processes & body experiences and its relation to writing dance.
Canon, period, cycle, spiral, relations of time, change, repetition, puls – the tracts of time used these notions to signify the organism as a specific pattern of order, more precisely : as a structure that contains its own time. Rhythm has been that rule under which the change of appearances assembles to a coherent entity and where the becoming of the organism could be thought of anew. (Janina Wellmann, The Form of Becoming).
12. + 13. January 2012, Uferstudio 5, Uferstudios Berlin.
30. January 2012, Sofia Art Gallery, (1, Gen. Gurko Str.), Sofia, Bulgaria
19. + 20. + 21. Juli 2013, Wiesenburg-Halle, Wiesenstrasse 55, 13357 Berlin.
Choreography : Isabelle Schad
Co-choreography and performance : Irina Goleva, Ivaylo Dimitrov, Ognian Golev
Music : L.v.Beethoven, Große Fuge B-dur op.133
Sound Recordings : Isabelle Schad
Production : “Based on actual events” organisation (Bulgaria) and Isabelle Schad
With the support of: Goethe Institute Bulgaria, cultural ministry of Bulgaria, cultural institute of Bulgaria Berlin, National Cultural Fund, Foundation Etud, Uferstudios GmbH, Tanzfabrik Berlin, Wiesen55 e.V..
Isabelle Schad is supported by: Basisförderung 2013/14 der Berliner Senatsverwaltung für kulturelle Angelegenheiten.